James DiGiovanna

22 Fillmore Place

Brooklyn NY 11211

(917) 705-2264

jamesdig@gmail.com

 

 

Education

B.A. in Religion, Wesleyan University, Connecticut, 1987.

M.A. in Philosophy, Stony Brook University, 1996.

Ph.D. in Philosophy, Stony Brook University, Jan 2002.

Thesis: Ethics and Aesthetics of Self-Creation.

Areas of specialization:

Philosophy of Art, Ethics/Virtue Theory, Personal Identity/Metaphysics of Self

Areas of concentration

Epistemology, Philosophy of Mind/Consciousness, History of Philosophy, Critical Thinking

Conferences and Publications

Publications:

¥       “Identity, Memory and Continuity” in Watchmen and Philosophy, Blackwell Books, forthcoming, Summer 2009

¥       “Is It Right to Make a Robin?” in Batman and Philosophy, ed. Mark D. White, Blackwell Books, 2008

¥       “Worldmaking as Art Form” in International Journal of the Arts in Society, Summer 2007

¥       “Fossil Fueled Fine Art,” Tucson Weekly Feb 4, 1999

¥       “Promises, Promises: The Promise Keepers Movement and Protest”, Tucson Weekly, Sep 24, 1998

¥       “Losing Your Voice on the Internet,” in High Noon on the Electronic Frontier, ed. P. Ludlow, M.I.T. press, 1996

Papers given:

¥       “Understanding: The Epistemic Good,” forthcoming at Epistemic Good, University of Oklahoma, March 2009

¥       “Technological Enhancement and Self Improvement: Ethics and Aesthetics of Neural Interface Technologies,” April 21, 2008, St. Louis University, Madrid

¥       “Worldmaking As Art Form” at International Symposium on the Arts in Society, New York University, February 2007

¥       “The Human Argos Project: Ethics and Aesthetics of Neural Interface Technology” at California State College at Stanislaus, November 2003 and Stony Brook University, March 2003

¥       Starship Troopers as a Philosophical Film” at Stony Brook University, Opening lecture for Philosophy Film Series, November, 2002

¥       “On David Allison’s Reading the New Nietzsche” at Stony Brook University, in honor of the release of Dr. Allison’s text, 2001

¥       “Self-Creation as Philosophical History: Pico through Descartes” at Stony Brook University, Philosophy Colloquium Series, 1997

¥       “Renaissance Perspective as Philosophical Perspectivism: On Alberti, Crivelli, Brunelleschi and Nietzsche” at University of Texas at Austin Graduate Philosophy Conference, March 1996

Journalism

Chief Film Critic
1998-Present, Tucson Weekly, including weekly feature-length film reviews, film reporting and interviews with studio and independent film artists.

Fiction/Theater

“The Same Results Every Time”
Play; received second place award in playwriting competition, performed at Urban Stages, New York, NY, for a two-week run in October of 2008

“When God Came Back I Became Alone,” forthcoming in A Gathering of Tribes, issue 12, Spring 2009

“Your Girlfriend Three Ways
Sporkpress, 10/24/2006

“Cool”
Sporkpress, 6/28/2006  

“The Secret Cool”
Sporkpress, 5/18/2006

“900 Foot Jesus Plus Death Rays”
 Sporkpress,  4/18/2006

“Sole Survivor”
The Safehouse Quarterly, Summer 2004

“The Exam”
Blue Moon Review, Spring, 1999

 “Wired” and “Hook”
 20 X 18, edited and selected by Walter Abish, hardcover, Cooper Union Press, 1995

Film and Video

“Kant Attack Ad” This top-rated YouTube video has been featured on The Atlantic’s blogs, Crooked Timber, and on Tucker Carlson’ show on MSNBC, as well as hundred of other magazines and on-line forums.

“Four Short Films About Robots” In the DVD Magazine Capricious, December, 2007

“Forked World” Feature film, completed August 2004, shown in NY, Tucson, and Boston Underground (judge’s award), Philadelphia (judge’s award), and Arizona International Film Festivals

Desert of Swedes Video documentary, shown on Access Tucson, September 1997

Visual Art/Performance

“Nobody is Famous in New York

4 short video pieces in group show at Capricious Gallery, Brooklyn, NY, Feb. 2008

“Swelt”

2 Pieces in group show, Kodak Gallery, Rochester, NY, Winter, 2006

 “Robot Art”

Solo show of watercolor paintings, Heathers, New York, NY, June 2006

“Lissajous Go Figure”

Live performance/installation at Jack Tilton Gallery, New York, NY, March 2003

 Rank and Fur
Solo show of constructivist art, Bentley’s Gallery, Tucson, AZ, March, 1998

Teaching Experience:

Substitute Professor, John Jay College of Criminal Justice, September 2007-present

¥       Courses Taught: Introduction to Philosophy, Critical Thinking, Ethics, Philosophy of Law, Logic

Adjunct Lecturer, Stony Brook Masters Program in Philosophy of Art, 2005-2007

¥       Courses Taught: (The following are all graduate courses open to Masters and PhD students): The Problem of Beauty; Ethics and Aesthetics of Self, The Problem of Style, History of Aesthetic Theory

Adjunct Professor of Philosophy, John Jay College of Criminal Justice,  2002- 2006

¥       Courses Taught: Ethics and Law, Introduction to Philosophy, Critical Thinking

Adjunct Lecturer, State University of New York at Stony Brook, 2002-2003

¥       Courses Taught:  Metaphysics, Critical Thinking

Instructor, State University of New York at Stony Brook, 1992-1995, 1999-2000

¥       Courses Taught:   Ancient Philosophy, 19th Century Philosophy,  Philosophy of Religion, Existentialism, Introduction to  Philosophy

Teaching Assistant, State University of New York at Stony Brook, 1991-1992

Awards

2007 Arizona Press Club Award: First Place: Film, Video and Television Criticism

2006 Arizona Press Club Award: First Place: Film, Video and Television Criticism

2004 Arizona Newspaper Award: First Place: Best Feature, Column or Critic

2004 Arizona Press Club Award: Third Place: Film, Video and Television Criticism

2003 Arizona Press Club Award: First Place: Film, Video and Television Criticism

Morris Cohen Teaching Award, for excellence in teaching in the field of Philosophy.
Stony Brook University, May, 2001

Award for Excellence in Teaching, a university-wide award granted on the basis of student and peer review to 6 teachers from a field of 300.
Stony Brook University, 1995

Trench Award for Outstanding Work in the History of Religions
Wesleyan University
, 1987

 

Abstract of the Dissertation
Ethics and Aesthetics of Self-Creation

Ethics and Aesthetics of Self-Creation is both a historical examination of the idea that humans can create their own identities and a conceptual analysis of that notion. Beginning in renaissance Italy, it finds pre-conditions for this idea in changes in the economic and social structure, and, more explicitly, in the forms of art that were then being developed. It ties this new idea of the self to the birth of a new epistemology, or epistemological imperative, called "eclecticism," which it sees as the basis for perspectivism, the epistemology worked out first by Leibniz and later by Nietzsche. The dissertation then analyzes the ethical, epistemological and ontological ramifications of this movement in the works of Pico della Mirandola, John Milton, William Blake, Soren Kierkegaard and Friedrich Nietzsche. Finally, it attempts to adduce a means for enacting a philosophy of life without recourse to philosophical foundationalism, based on Nietzsche and Blake's ideas about the continuity between art and life, and in Nietzsche's idea of life as an experiment.

Committee Members

Director: David Allison, philosophy

Chair: Edward S. Casey, philosophy

Readers: C. Lee Miller, philosophy; Mary Rawlinson, philosophy

Outside Reader: Thomas J.J. Altizer, theology

Student Government Positions

President, Philosophy Graduate Student Body, Stony Brook University, 1993-94

Other Positions

Pop Culture Editor
Amazon.com, April 1996-August 1998.
Wrote monthly articles and interviews on American, European and Japanese popular culture and oversaw selections for pop culture book lists.

Pop Culture Commentator for ABC Radio (Australia)
August, 1997-August 1998
Weekly fifteen minute commentaries on American and Japanese pop culture heard on over fifty stations in every part of Australia.

Assistant Editor
Marvel Comics, New York. 1988-1990
Supervised production of a variety of comic books and magazines. Edited text and artwork. Liaison between artists and editors and between licensors and writers. Helped design characters, costumes, vehicles and locations. Oversaw plot direction.

Professional Affiliations

APA, American Society for Aesthetics

Languages

French, reading knowledge of Spanish and Ancient Greek

References

Edward S. Casey, Leading Professor of Philosophy

Stony Brook University, Stony Brook, NY 11794-3750

tel: (631) 632 7570

email: Edward.casey@sunysb.edu

 

David Allison, Professor of Philosophy

Stony Brook University, Stony Brook, NY 11794-3750

tel: (631) 632 7570

email: nosillad@suffolk.lib.ny.us

 

Enrique Chávez-Arvizo, Chair of the Art, Music and Philosophy Dept.

John Jay College of Criminal Justice

899 10th Avenue, Suite 325T, New York, NY 10019

tel: (212) 237-8347

email: echavezarvizo@jjay.cuny.edu

 

Peter Ludlow, Professor of Linguistics & Professor of Philosophy

Dept. of Philosophy

University of Toronto

Mississauga, ON

Canada L5L 1C6

office phone:  905-569-4541

e-mail: peter.ludlow@utoronto.ca